Elastic Plastic Fashion

Ponoko project from Elizabeth Wong

The world of ready-to-wear is in love with laser-cutting, and fashion student Liz Wong is right on trend with her recent evening gown. After designing a series of floor length dresses with elastic straps pulled through acrylic sections, Wong selected the center dress for construction. The final dress features an acrylic back piece cut by Ponoko.

Following her blog takes you through the typical fashion fury and worry of finishing a garment on time for critique (including color miss-matches, last-minute fabric runs, and a final request for another lining). Congratulations Liz on an awesome dress and your New York internship!

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Putting Vector Cloud in the Mainstream

laser-cut jewelry from Queens + a request for critique

Amelia makes laser-cut jewelry and other items for her label Vector Cloud. I especially like her paper jewelry pieces that come as part of a card, complete with chain.

Amelia recently posted a request for feedback on her designs at the Etsy forums. For you jewelry designers out there, it might be worth a look to see if some of her comments could apply to your own work.

I think she’s got a lot of great things going on. Her designs are appealing, and the photography is really nice. But what’s lacking is a signature style and a bold claim to originality. Think of how lines like Nervous System, Molly M Designs, and Isette have established a cohesive look to their body of work. They do this by focusing on a similar aesthetic, a certain material, or even a particular color. There are countless acrylic-charm makers and laser-cut wooden pendants out there. So take what’s unique about your style and talent and expand on it instead of trying to have a little something for everyone.

Post your own product-line tips in the comments.

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Australian Design Museum Show

Snapshot of Australian Design at Shapiro

Featuring the works of Marc Newson, Khai Liew, Daniel Emma, Takeshi Iue, Adam Goodrum, Andy Vagg and more, the Australian Design Museum Show at Shapiro is tidy little snapshot of contemporary Australian design.

Daniel Emma's Solids

Curated by Sarah King of Arp design store in Hobart the exhibition “should encompass as much good Australian design as possible, across all levels of production, from handmade work to pieces in production by local and European manufacturers – and cover all types of design; furniture, objects, graphics, architecture, craft and more.”

Takeshi Iue's 'Habit Chair'

All pieces are one-off, prototype or limited edition, so that most of the pieces in the show would not be seen or available anywhere else and so that they fit the museum banner. This is the kind of exhibition we are used to seeing at places like Object Gallery or the Powerhouse, with the simple exception that all the work is available for purchase (ahem, Newson prototype is AU$75,000).

Andy Vagg's 'Hanger Bowl'

Top Image Double Dutch and Harvey Chair by Khai Liew.
The Australian Design Museum Show runs from 24 February to 7 March 2010 at Shapiro, 162 Queen St. Woolhara.

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The Prototype and the Demo Tape

The 4-Track Recorder and the MakerBot

Looking back to a time before mp3’s and myspace, the best way to get your music heard if you were a budding musician was to play loads of gigs, and record a demo tape which you could then sell at gigs, get played on community radio stations and maybe even score a deal with an independent or major record label. With recording a demo tape you had a few options with varying degrees of cost, quality and success.

The cheapest option was to plug a microphone into your parents stereo system and record the entire band in one take, sure this often led to terrible results that no-one outside of the band and your parents ever heard but a valuable lesson was learnt.

The next option was to pool all the money from your gigs and pay for time in a recording studio, this often leads to a very clean recording with some very wooden performances as you rush through takes, ever aware of the cost of recording time. At the end of the process you are then subject to the sound engineers interpretation as they mix the music in the way they think it should go because “you don’t know what he means by compressing the mid range and he has 30 years experience and constant tinnitus”

The other option was to buy a Tascam 4-track recorder from your local pawnbroker, borrow a couple of microphones from your sisters friend and start recording your own music. The freedom to experiment, record multiple takes, overdub, bounce down and generally have fun with the recording process would hone your songwriting skills, and give you a better idea of what works in a composition. It also gives you an advantage when it comes time to make a ‘professional recording’ as you will have learnt how to get ‘your sound’ recorded and a little more terminology to help communicate that to a sound engineer.

Taking the same idea to a DIY product design, the landscape is a little different but some of the principles are the same.
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Insane Looking Laser-Cut Handbags

the latest shapes for purses: screaming baby, dead dog, & machine gun

James Piatt lives to create “extreme classics” for the world of fashion accessories. His latest editions include the Foundling (“designed to symbolize an infant that has been deserted”), the Tinkerbell (“based on Paris Hilton’s discarded pet”), and the Pursuader (“the look no one can refuse”).

Each of these pop-culture inspired pieces comes in Copper Mirror, Blue Alligator Leather, and Black or White Leather. The Foundling comes with four laser-cut charms so you can make your screaming baby just like the one of Charles Lindberg, Britney Spears, actual “Baby Jessica”, or Michael Jackson’s son. Buy them for a few to several hundred dollars here.

via Imedagoze

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The On-Demand Manufacturing Network

collaboration vs comparison and competition

I started writing this post as a feature on 3D Printing create/make/show/sell company Sculpteo, the latest venture in on-demand manufacturing. Sculpteo allows users to upload their 3D designs, select their materials, order 3D printed models, and (beginning in March) sell them to the design loving public. It’s a familiar set up; Ponoko and Shapeways and several other services are based on the exact same model.

It’s hard not to see Sculpteo as a direct competitor to Shapeways, so the natural step was to do some comparisons. How does each company’s quality measure up? What are the price differences? Whose website is easiest to use? Which online store looks coolest so as to attract buyers? I wondered how many more companies would try and get in this game. Will we one day have as many 3D Printing service-shops to choose from as we do hair salons? Will some giant corporation eventually buy them all up and monopolize the entire industry?

Such a future isn’t unlikely. Unless… these companies collaborate instead of compete.

That may sound like a Utopian/Communist idea that will inevitably come to odds with the driving forces of business. But On-Demand Manufacturing is uniquely well-suited to a collaborative network model. First of all, it’s a new thing. There are few enough organizations out there doing this that it’s possible to round them all up. If a new start-up company wants to get a piece of the on-demand pie, why not negotiate a symbiotic relationship with existing organizations instead of setting up independent shop. This doesn’t necessarily mean a franchise; it just means sharing resources (knowledge, materials, customer base, database).

The second reason collaboration can work for On-Demand Manufacturers is that, unlike with traditional products and services, it is the user that provides the variety — not the other way around. We want a variety of restaurants because we want a variety of food choices. The same goes for clothing, television channels, travel options, and pretty much everything else. Having access to multiple on-demand manufacturers is like having multiple and equally talented, personal chefs. They will make whatever you want; so just pick the one that will feed you the fastest.

The media is calling the movement in on-demand manufacture the next industrial revolution, but the real revolution would be to abandon the notion of innumerable self-contained businesses, avoid the modernist fate of monopoly, and create a truly post-modern network of manufacture and production.

Getting back to how I started writing this, no sooner had I changed the direction of the post than I realized that such a network was in the making. That’s the real brilliance of 100K Garages and Ponoko’s recent deal with Formulor.  Those initiatives aren’t just about convenience, grass-roots appeal, or international reach; it’s about shaping the future of manufacture and spreading the democratization of design.

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The ONYAs — a Celebration of New Zealand’s Web Industry

congratulations to all of the winners and finalists!!

The awards ceremony for the inaugural ONYAs took place this past Friday night in Wellington, New Zealand. Ponoko joined eighteen other ground-breaking finalists to celebrate excellence and innovation in the NZ web industry.

The eleven categories this year were: Best Visual Design, Best User Experience, Best Use of HTML & CSS, Best Accessibility, Best Content (Corporate), Best Content (Personal), Most Innovative, Best Web Application, Best Mobile Application, Best Mobile Web Site, and Most Outstanding Website.

Ponoko was nominated for Most Innovative along with Xero (online accounting software) and Powershop (an online energy store that provides knowledge and control over power usage). Congratulations to Powershop for taking home the prize. And a big thank you to all of Ponoko’s supporters and twitter fans who kept their fingers crossed for us!

Visit The ONYAs website for the entire list of finalists and winners.

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Animated 3D Interface


Relief by Daniel Leithinger, Adam Kumpf, Hiroshi Ishii of MIT’s Tangible Media Group is an actuated tabletop display, which is able to render and animate three-dimensional shapes with a malleable surface. It allows users to experience and form digital models like geographical terrain in an intuitive manner. The tabletop surface is actuated by an array of 120 motorized pins, which are controlled with a platform built upon open-source hardware and software tools. Each pin can be addressed individually and senses user input like pulling and pushing.

Similar in some ways to FEELEX, “Relief” utilizes commercially available components and open source hard- and software to provide a comparably low-cost, scalable platform, which can be used for creating prototypes with a variety of form factors and applications domains. The display is both able to render shapes and sense user input through a malleable surface, which is actuated by an array of electric slide potentiometers.

This is obviously a relatively crude prototype but with further development and finer grain the potential for 3D modeling objects with tactile feedback is huge. Imagine being able to push or pull an object in the same way as sculptors work clay, having a malleable interface (with an undo function) would make the process much more natural and intuitive.

Read their paper, Relief: A Scalable Actuated Shape Display here

via PSFK

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Twisted Kolme Stool

By Matthew Bradshaw

The Kolme stool consists of a single molded plywood shape repeated three times around the central axis. The shape of each leg pushes the limits of conventional plywood molding; rendering the design as sculptural, lightweight, and robust. It uses a minimum of material and energy, while stacking for easy storage and transportation.


Based in Brooklyn, a self-described ‘Lego-kid’, Matthew spent a large part of his childhood drawing and inventing things he would later throw down his parents’ stairs. He began his formal studies with an invitation to the Rochester Studio of Fine arts at 15. He then studied Industrial Design at Pratt Institute where he graduated from in 2005. Focusing on Furniture and Product design, his work has been best described as ’simple, yet not simplistic’. Typically it is material, or process driven, and is often imbued with both a sensitivity towards concept, and an honesty to the principle that form is inherent in function.

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30 Pencil Icosahedron Kit

Perfect gift for your nerdy nephew or niece.

By Michiel Cornelissen, the 30 Pencil Icosahedron kit, (plus 30 standard-sized hexagonal pencils), you can build an icosahedron-shaped object of about 38 cm or 15 inch in diameter.
Use it as a lampshade, or just have it around as a fun and educational object. What is great about this design is it incorporates a 3D printed product along with a standard existing product available throughout the world to make a fun and unique object.

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